The Princess and Curdie
by George MacDonald
The sequel to The Princess and the Goblin
begins with a taste of the
sort of disappointment that, in real-life stories, often follows the happily ever after ending. Curdie, the miners son, no longer has the
Princess Irene to protect or the goblins and their bizarre creatures to fight against. He doesnt whistle or sing any more, he no longer
spends much time looking at beautiful animals and plants, he is not such a good son to his parents, and he has stopped believing in the
magic that he had a brush with in his previous adventure.
He is, to say the least, a big disappointment...until Princess Irenes great great grandmother, the magical lady that lives in the dove
tower of the kings house in the mountains, confronts Curdie with his shortcomings. After a few tests of his faithfulness, that mysterious
young-old lady gives Curdie a special gift and sends him on a mission.
Curdie, at first, does not know what his mission is aboutonly that he is to go to the capital city, present himself to the king, and find
out how he is needed. On his way, Curdie is befriended by a bizarre and ugly creature (formerly a pet of the goblins). He is menaced by
dangerous birds, wicked townspeople, and the corrupt and treasonous servants and courtiers in the kings palace. When he finally reaches
Irene and her father, he finds out that the king is being drugged and that his courtiers are plotting to overthrow him.
With very few people to count on, Curdie must rely mostly on his wits, his courage, his boundless energy, some ugly friends, and his mattock
(which is like a pickaxe combined with a hammer). Of course, the brave and thoughtful young princess is also a great help. But before the
danger is over, a very small group of people will have to fight against a huge army...
MacDonald had a background as a minister, so it should come as no surprise that his fairy tales are influenced by religious ideas. There is,
indeed, a touch of moralizing in this taleor at least, the virtuous hero and heroine are strongly contrasted with the villainous people of
the capital cityyet at the same time, it is a very quirky and unorthodox kind of moralizing, which even casts a moralistic preacher as a
There are also passages that strongly tempt one to adopt an allegorical interpretationfor example, this character stands for God, and that
scene represents the conversion experience, etc. Yet if it is an allegory, it isnt a very straightforward one & eventually you are forced
to conclude that the characters stand for nothing but themselves.
It is, after all, a very inventive fairy tale. Through haunting and captivating images and scenes, it explores the concepts of loyalty,
courage, honesty, discretion, and accepting people who are different from you. It views people as either getting better or growing worse,
and it warns against judging them based on how they are right now. It is populated by marvelous creatures and also very recognizable human
charactersmany of them despicable. It recognizes the good that a rare, grace-filled person can do...and the tendency in the average,
not-very-good person to turn all that good into badness again. Very few fairy tales have endings like this book, which goes beyond the
happily ever after to what, alas, could be realistically expected to happen AFTER ever after.
Every fantasy writer builds his or her world on some philosophical foundation or other. I think MacDonald demonstrates that a fantasy can be
built on a Christian worldview without being about Christianity in any way. Nothing else. So I recommend reading this bookand pinching
yourself every time you find your mind asking, What religious doctrine does this represent? Remember: its a fairy tale!
Recommended Age: 10+
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