The Chamber Subplot:
Explanation and Facts
From New Clues to Harry Potter: Book 5
by Galadriel Waters (The Ultimate Unofficial Guide)
Explanation by Eric of MuggleNet.com

The following clues were discussed on the New Clues Forums.
Related Threads:
'Two Bye Tous', 'Trunks, Tonks, and Tricky Images', 'Two By Two', 'Soggy Clues', 'Peck of clues', 'Troll trap', 'Magical Brethren', 'Luna's eyes', 'Clues in Chapter 10', 'Baboon Joke', 'Eyes, Head, Mouth', 'Luna's slippery Quibbler', 'A chair by any other Name'

Introduction to Plots and Subplots

What many of you knew when you first paged through Harry Potter and the Order of the Phoenix was that it was immensely complex, whether or not you’d read the clue guide to the previous books. Layers and layers of activities were happening at once, some in unison and others separately. What some readers may not have known, however, was that it seems as if there are a number of these 'background activities' going on that a first glance may not have revealed.

One of the discovered 'background activities' (appropriately called subplots) in HP5 involves nothing less than the Chamber of Secrets. Unlike other subplots, this was not shown to readers directly. Only a series of hidden clues, puns, and other mentions were there to resolve this. Thanks to the great HP Super Sleuths out there, resolve it we did!

The Sub-Plot Points

This subplot is based entirely on running bits, juxtapositions, and plot parallels throughout Book Five. All of the following clues which will be discussed point to something going on with the Chamber of Secrets. The three main ideas with this subplot are:
     1.     
There's something going on with the Chamber itself.
     2.      There's a second basilisk either on its way or already existent.
     3.      There is very dangerous potential for a few particular... mirrors...

These three points have been hypothesized by our master HP Sleuths, and provide a basic structure within which these theories will be explained, substantiated, and speculated.

Please Note: as you read, all key words or phrases from excerpts will be colored gold, to point them out.

Running Bits

Nearly half the running bits throughout the book are in some way related to this subplot. Some point to the Chamber of Secrets itself, others point to the basilisk, and some point to the second floor bathroom. You may find it helpful to group them as follows:

Moaning Myrtle – Spots, Dots, Pipes, Toilets
Toilets and Bathrooms – Chairs, Dung, Thrones, Heads, Rooks, Crowns, Pipes, Regurgitating, Toilets, Sinking, Hot, Cold, trolls
Mirrors – Spots, Spattering, Cracks, Pairs
Basilisk – Eyes (bulging, black, hurt), Twisted, Coiling, Sliding, Sinking, Mate, Frogs, corners, Toad, Eggs, Kings, Crowns
Petrification Stone, Freezing, peering, gazing, Cold, Eyes (wide)
Chamber – Second, Pairs, 2s, Ink, Towers
Salazar Slytherin – Mouths (open), Stone, snakes, feet, monkeys

Capitalized words are listed in the back of New Clues to Book 5, and non-capitalized words are similar terms which are used often but not quite enough to be running-bits. Also, anything relating to either one of these words or terms could work as well to point readers in the right direction.

You’ll notice that Spot Running-Bits are listed as relating both to Moaning Myrtle and mirrors. Moaning Myrtle and spots were first paired together in Book 2, at Nearly Headless Nick’s Deathday Party. On page 103 UK Version (135 US), Peeves chases after Myrtle after kindly reminding her that, on top of fat, ugly, and all the other things, she is spotty as well. In the US version he uses the word “pimply”, so it is important to note that J.K.R’s word is spotty.

Then, on page 118 of the UK Chamber of Secrets (156 US), Harry, Hermione, and Ron enter Moaning Myrtle’s bathroom for the first time. When they spot her, she is said to be “floating on the cistern of the toilet, picking a spot on her chin.” Two years later in Book Four, as Harry is talking to Myrtle from the Prefect Bathroom (page 401 UK and 462 US), we see this:

'Oh ... I see ...' said Myrtle, picking at a spot on her chin in a morose sort of way. 'Well ... anyway ... I'd try the egg in the water. That's what Cedric Diggory did.'

From these excerpts we see that J.K.R has connected spots with Moaning Myrtle more than once. The connection of spots to mirrors will be discussed below. Other words or terms such as “spattering”, “spraying”, and such, can also imply many spots. It is important to use juxtaposition in these cases and realize that they’re talking about the same thing! Constant vigilance!

The running bits listed, which relate to bathrooms and toilets, are all there to get us thinking bathrooms – specifically Myrtle’s. The clues to this subplot do not necessarily narrow down to a certain event that is going on, unlike the Percy/Wormtail subplot uncovered in early December of last year by some of the same Super Sleuths. These running bits and clues are meant to point people towards something, not directly at it. Whether it be chairs, thrones, or any kind of slang, linguistic, or term, no matter how humorous they may sound, each one is pointing us towards this subplot.

Occurrences of the terms “stone”, “freezing”, “gaze”, “peer”, and other variations, can be related to someone being petrified. All of them involve staring eyes of the snake, a glazed look, or a horrified expression as seen on the petrified students in Book 2. J.K.R is using facial expressions and certain gestures as clues, so be aware! These clues are not implying that people are being petrified in Book Five; the terms are, once again, there to make us “reflect” on the Chamber of Secrets.

Pairs and the number 2 (as well as the word “second”) seem to be there because Book 2 (the second book) is none other than Harry Potter and the Chamber of Secrets! Anything with 2’s, seconds, and pairs can be referring us to look in that book again.

Juxtaposition

Juxtapositioning is J.K.R’s way of toying with us. It involves the deliberate placing of many particular words in a sentence or paragraph next to each other, in order to point us to a specific imagery. It’s there to twist our minds!

Want an example? Take a look at page 172 UK (189-190 US):

screwing up his face…writing in midairbaboon’s backside…caused Crookshanks to leap up into the luggage rack, hissing. Luna laughed so hard [open-mouthed] her magazine slipped out of her grasp, slid down her legs and onto the floor.

Take a look at that - eight running-bits or key words in that short a space! There’s the screwing up of the face like someone who would be petrified by a snake, and “hissing”, and then we have more slipping and sliding! There’s more to this excerpt, so remember it.

Another great juxtaposition is used on page 314-315 UK (353 US):

…Hermione, who had just slid…getting to her feet… Hermione's eyes slid rapidly down the notice. Her expression became stony.

On page 151 UK, 166 US, Harry “returned to his bed and sank into it, gazing unseeingly at the foot of the wardrobe”. When Luna is introduced on page 168 UK and 185 US, she’s described as both having “protuberant eyes” and “dottiness”. Dottiness is also like spots, and sank in the first quote is like sinking or sink… once again getting us to think bathroom.

Want to try your hand at juxtapositioning? One of the most prominent is when Peeves causes quite the ruckus on page 597-598 of the UK version (678 US). I count several juxtaposition keys in one sentence. Also look for “mouth open” references next to running bits throughout Book Five – including pages 321/361 and 557/632!

Plot Parallels

Plot parallels are events which happen at different times in a book, or in different books altogether, that are almost precisely the same as each other. In Book Five, there are many parallels to Chamber of Secrets. When introducing a plot parallel, J.K.R. will tend to use the established Running-Bits to indicate them. Such an example can be found in Chapter One of Book Five, page 20 in the UK Version and page 15 in the US:

...The balmy evening was suddenly piercingly, bitingly cold. They were surrounded by total, impenetrable, silent darkness, as though some giant hand had dropped a thick, icy mantle over the entire alleyway, blinding them.

For a split second Harry thought he had done magic without meaning to…He turned his head this way and that, trying to see something, but the darkness pressed on his eyes like a weightless veil.

Dudley's terrified voice broke in Harry's ear.

'W-what are you d-doing? St-stop it!'

'I'm not doing anything! Shut up and don't move!'

'I c-can't see! I've g-gone blind! I –'

'I said shut up!'

Harry stood stock still, turning his sightless eyes left and right...he opened his eyes to their fullest extent, staring blankly around, unseeing.

Is anybody strangely reminded of the basilisk in the Chamber here, when Fawkes took its eyes out?! Piercing and biting are like the fangs of the basilisk, or even Fawkes’ piercing of its eyes. Then we have a variant of penetration, and “blinding them”. And next, most importantly, Harry is turning his head “this way and that, trying to see something”, just like the basilisk! Would it, assuming it thought like us, not cry out “I’ve gone blind!” upon realizing its own handicap?

Throughout that section we have running bits and phrases juxtaposed such as cold, icy, and second. It’s almost like J.K.R’s using them to guide us through the parallels so we know when to start and when to stop!

For HP Sleuths who want another example before searching on their own, look on the very first page of Book Five (both versions) for a briefer, but very powerful parallel. Remember, running bits are usually used to start it off (Hint – look for a sea-snake)! There’s an interesting one on page 10 of the UK Version and 4-5 in the US. Look under the bush.

The Chamber Subplot Point

Putting running-bits, juxtaposition, and plot parallels together, let’s move on to the subplot points. The running-bits listed above which point to this particular subplot include Chairs, Dung, Kings, Heads, Rooks, Crowns, Pipes, Regurgitating, Toilets, Sinks, Spots, Mouths (Open), Feet, and monkeys. This is because not only are there clues pointing us to Moaning Myrtle’s bathroom (or even Moaning Myrtle who resides in the bathroom), but to the Chamber itself, including the statue of Salazar Slytherin.

If you’ll recall from Book 2 (p. 226 UK, 307 US), the statue of Salazar Slytherin is described as “ancient and monkey-like”. This, like the connections described to Myrtle above with the running-bits, is something J.K.R established early on in the series and is now using throughout Book Five.

Take a look at page 172 UK (189-190 US) again. Ron used the term “baboon” which, apart from being a good comparison to Goyle, is a type of monkey. Didn’t Dobby the House Elf do something around Christmas involving monkeys?

There’s an even subtler monkey clue on the train to Hogwarts with Luna on page 170 UK, 188 US:

Liquid squirted from every boil on the plant… and spattered Luna Lovegood's magazine; Ginny, who had flung her arms up in front of her face just in time, merely looked as though she was wearing a slimy green hat, but Harry, whose hands had been busy preventing Trevor's escape, received a faceful. It smelled like rancid manure.

Neville, whose face and torso were also drenched, shook his head to get the worst out of his eyes.

Did you see that? Not if you were Neville! That’s one evil he’s seeing none of, and Harry sure isn’t saying much. Assuming that Ginny’s new hat covers her ears, a familiar monkey-gesture composite should come to mind... and did you notice Mimbulus Mimbletonia (see page 45 of the guide) is also related to a monkey?

The other two Chamber Point running-bits which look to Salazar Slytherin are Feet and Mouths (Open). J.K. tends to get really tricky here with us, because she uses the gesture effect as a sign to point us to this. All variations of laughing or screaming involve someone’s mouth open, which usually points out the “opening” of the Chamber and monkey sightings.

Feet point to Salazar Slytherin because J.K.R. (via Harry) made special note of the stone statue’s feet as well as his primal appearance. The event in the Chamber took place mostly, and ended at, Slytherin’s feet.

The toilet-related running-bits as explained above and listed twice, are presumably once again to point us towards bathrooms. A bathroom, particularly Moaning Myrtle’s, seems to be the focus of these clues. Though sinking is also related to the Basilisk Point of this subplot, as pointed out above they could also mean sinking as in bathroom sinks with faucets. All variations of sink including sinking, sank, and sunk are interrelated.

Notice that when a character does sink into something, it is usually a chair, throne, a seat, or any kind of variation which basically means toilet. We think J.K.R’s intentions are not to gross us out with all this toilet humor, but to point us once again towards Moaning Myrtle’s bathroom and the sink entrance to the Chamber!

What’s going on in the Chamber? Can you tell?

The Basilisk Subplot Point

This subplot point is referenced with the same methods as the Chamber Point, through running-bits and parallels. Running Bits relating to this point are Eyes (bulging, black, hurt), Twisted, Coiling, Turns, Sliding, Sinking, Mate, Frogs, Toad, and Eggs. The running-bits Frogs, Toads, and Eggs are involved because, well, what are the ingredients to making a basilisk? They’re major enough to spark interest… why would J.K.R. use these three running-bits if she just wanted to point us to a chamber? Why would she use all of these if she only wanted to point us to the chamber? Sounds like we’ve got a slippery new surprise to deal with!

There are many plot parallels with clues and running bits pointing toward a second basilisk, not just the Chamber. Take a look at this one on page 676 UK and 766-767 US:

Harry's stomach gave a jolt… actually slid...They were descending at last... heard a shriek behind him and twisted around dangerously… no sign of a falling body… orange lights were growing larger and rounder on all sides...headlights like luminous insect eyes... Harry slid from its back…

Talk about scary! Luminous eyes, sliding, descending, and growing larger and rounder – it’s almost as if a basilisk is coming towards us. Let’s not forget the shriek… coming towards us through Salazar’s open mouth!

On page 669 UK, 755 US, there’s another good example. Here we have spots, feet, pairs, and parallels:

He yelled [mouth-open] and stamped his enormous feet and the centaurs scattered out of the way; pebble-sized droplets of Grawp's blood showered Harry as he pulled Hermione to her feet and the pair of them ran as fast as they could for the shelter of the trees. Once there they looked back; Grawp was snatching blindly at the centaurs as blood ran down his face; they were retreating in disorder, galloping away through the trees on the other side of the clearing. Harry and Hermione watched Grawp give another roar of fury and plunge after them, smashing more trees aside as he went.

 Don’t forget juxtaposition – spots are present through both “showered” and “droplets”. Those excerpts point to a basilisk in more of a physical way.

There’s also a lot of peering going on as well, such as on page 674 in the UK version and 764 in the US. It starts out with the introductory “he placed a foot”, and then the Thestral “twisted its head around, fangs bared”. That’s more physical relations, but at the bottom of the next paragraph, we have the sentence “Ron, Hermione, and Ginny, however, were still standing motionless on the spot, open-mouthed and staring”.

And finally, the paragraph on page 668 UK and 758 US incorporate both types of basilisk references:

Harry …was watching Grawp's feet, which were almost as long as Harry's whole body. Hermione gripped his arm tightly; the centaurs were quite silent, staring up at the giant, whose huge, round head moved from side to side as he continued to peer amongst them…

If Sleuths want to look for another one, there’s one on page 375 UK, 424 US. Either way, you could speculate that something pretty big is going on with a basilisk, whether or not people are turning up in stone!

All of these key terms, such as sliding, make up the event of the basilisk in Book 2. The basilisk slid up/down the inside of Slytherin's statue, came out of the mouth, and landed smack on the floor, fangs bared.

When could this magical mating have taken place? Well, do you recall where Trevor the toad was when Neville found him at the end of Book One? What did Hagrid have in Book Two that completes the equation? The scary thing is that the materials were there…

What’s going on with the second basilisk? What do you think?

The Mirror Subplot Point

This subplot point is slightly different and it could be part of an even greater threat than the first two!

This subplot involves the running-bits Spots, Cracks, Pairs, and 2s, and is largely based on specific wording. All of the references, after being carefully examined, lead us to believe that mirrors can be used as method of communication. Not just any mirror, though… Thinking that they must be something of a “matched pair” (somehow identical), try to speculate which mirrors we already know of that are brother pairs.

We already know of the mirror that Sirius gave to Harry, and know that Sirius had one for himself which was its twin. Therefore, is the mirror in Moaning Myrtle’s bathroom an identical twin? Turn back to page 118 UK, 156 US of CoS, when they first enter Myrtle’s bathroom:

Under a large, cracked and spotted mirror were a row of chipped, stone sinks.

Now in OoP on page 516 UK, 586 US, Harry is having the nightmare with Rookwood. What are truly important in these excerpts are not the running-bits, but the running-bit-filled description of the mirror itself. It’s both cracked and age-spotted, in that order:

A cracked, age-spotted mirror hung on the wall in the shadows.

The second mirror too is described as cracked and spotted… in that order. Rookwood himself is tied somehow to spots, isn’t he? As it was with the second excerpt, there are Bk.5 running-bits in the first one. There’s something missing with the Chamber of Secrets excerpt, isn’t there? Ah – yes, the fact that the mirror in Harry’s dream was “age-spotted”, implying it was old. Back on page 118/156 of CoS:

Hermione… waved vaguely at the dirty old mirror and the damp floor.

From this we can determine that all three features are applied to both mirrors, and it’s definitely exciting as the mirrors are three books apart! But exciting isn’t the tone this should be approached with, if you think about it. What potential could these identical mirrors have? If Voldemort has one… and the other one’s in Myrtle’s bathroom… what does that mean?

And finally, there’s been some speculation about the mirror in the Room of Requirement, or, well, the Foe Glass. HP Sleuths were wondering if this mirror was identical to the one in Myrtle’s bathroom, but it doesn’t appear to be. Nor does it appear to be Mad-Eye Moody’s Foe Glass…

The Foe Glass in the Room of Requirement is cracked, just like the mirror in Moaning Myrtle’s bathroom. However, it is vital to note that there is no implication of spots whatsoever with this mirror, as there is with the mirror in Myrtle’s bathroom and the one in Harry’s dream. To be certain, let’s take a look at page 299-300 of the UK Version of Goblet of Fire (US page 342-343):

On his desk stood what looked like a large, cracked, glass spinning top; Harry recognized it at once as a Sneakoscope, because he owned one himself, though it was much smaller than Moody's. In the corner on a small table stood an object that looked something like an extra-squiggly, golden television aerial. It was humming slightly. What appeared to be a mirror hung opposite Harry on the wall, but it was not reflecting the room. Shadowy figures were moving around inside it, none of them clearly in focus.

All J.K.R. said about Moody’s Foe Glass was that none of the figures were clear, not that it was cracked (see the highlighted words of this excerpt). On top of that, it seems to be clear that Foe Glasses are supposed to be shadowy, and people inside unclear. But either way, there is still no implication of spots, so we can’t be sure that the Foe Glass in the RoR is connected to Myrtle’s mirror.

It’s still possible that the Foe Glass in the RoR is tied to the one Imposter Moody/Moody has (or had). His Foe Glass could have cracked since then, but it doesn’t seem probable. Imposter Moody could also have damaged his dark detectors deliberately to keep from setting them off!

What’s going on with all these paired mirrors? Who says I know? J

Conclusion and Final Thoughts

There’s one other perk about uncovering this subplot. J.K.R. said on an interview with Rainforest Books that wizards have something even better than the Internet. She said we’ll see it in later books! Could this be the introduction of such an internet: mirrors? If you have a copy of Ultimate Unofficial Guide handy, turn to page 405. WWP’s first guess on what it might be is “mirrors”!

All in all, there’s definitely something down there… The excerpts given here are but a few of an endless list. There are tons of similar references all throughout Book Five. There are also additional related clues plus one more big subplot to uncover! Discovering more clues, more references, and more information is all part of being an HP Sleuth. Congrats to the HP Sleuths in the MuggleNet New Clues Forums, you have solved another one! Now, onto even more Sleuthing!

Prime-Time Sleuths: Mel, siriusaddict, pika, urvashi, valariemac, Lady Stardust, sympachic, squibycatlover, mafalda, fanofsirius, tanilyn, Aunt Remus, me, best_mistake, mindy , ruddy_stargazer, Barry Trotter, caligurle, Saskia, hedwig at heart, obsessedwithdumbledore, Elizabeth, Mad-madeye, and Lily! !