Exclusive interview with illustrator Jonny Duddle – plus new covers revealed!

Exclusive interview with illustrator Jonny Duddle – plus new covers revealed!

With just over a month to go before the new editions of the Harry Potter series go on sale in the UK, Bloomsbury has revealed the final four stunning covers.

The wonderful new images, which can be seen at the bottom of this page, depict key moments in each novel. Although they share the same distinctive style, each image is vividly striking and stands alone through the strong choice of colors used. As the first three covers did, the images capture the magic of the books.

Ahead of this release, MuggleNet caught up with Jonny Duddle, the illustrator and children’s book author, to discuss his new covers in an exclusive interview.


A digital artist, Duddle initially learned his craft over 10 years as a concept artist for computer games. After further illustrating projects and some film work, Duddle began developing his own series of children’s books.

I used to do a lot of illustration work, but as my own books sold better, I decided to stop.” Then Bloomsbury called!

At first the Potter project was just a trial. Along with a couple of other artists, Duddle submitted his Philosopher’s Stone cover based on a brief that required the inclusion of certain characters and of course, Hogwarts. It was this design that secured the rest of the project for him – a very lengthy task that begun in the new year and was still in progress when MuggleNet spoke with him last week.

However, before he could start, he had some catching up to do!

As a freelance artist with a young family, my house is full of books I haven’t read yet. I bought a paperback box set [of the Potter series] a few years back but hadn’t got around to reading them, except for the first one.

Reading the series for the first time, with illustrating them in mind, comes with a unique set of challenges. Knowing the briefs beforehand, he was “often waiting for certain characters or scenes to appear” before then going back to read and reread those sections to get the full picture. Along with much reading on trains, he has become well acquainted with the Stephen Fry audiobooks, but does he have a favorite?

“I enjoyed the Goblet of Fire for all the challenges and trials,” but this could well change since his daughter is “near the age to begin reading them too.”

Having not read the books, or seen the films previously, Duddle was in a unique position to approach the designs with a fresh eye. He avoided watching the films until after he’d developed each respective cover and generally stayed away from Potter imagery, although he had seen Kazu Kibuishi’s Scholastic covers. This allowed him to continue with his other own fun and youthful style without being influenced by others.

At times he did need to seek inspiration: “I’ve based Harry on my neighbor’s son,” revealed Duddle. “I bought a wizard’s cloak off the Internet and got him to pose in it.” But all other characters have been inspired directly from Rowling’s words, particularly his favorite.

“I love Hagrid!” The half-giant was the first character he tried drawing, and he has enjoyed having another go at illustrating him for the back covers. Similarly to the original Potter designs, each book will feature a different character on the reverse. Here we will get a chance to also see further Duddle’s ideas for Ron, Hermione, Snape, and Dumbledore. As for what else the editions will feature, “I think there is a map, but that will be by another illustrator.”

This is largely because the project has taken longer than he had expected. Once he accepted the job, Duddle was given the remaining six briefs, each consisting of two to three ideas per book. He would then sketch out a few ideas before sending them to Bloomsbury, who would then forward to Rowling. This would then come back with feedback, anything from two hours to two weeks later. Sometimes it was a suggestion to work on the sketches, other times it was to go straight on to developing the artwork. Fortunately, working as a digital artist makes feedback and suggestions easy to deal with.

The phoenix on the [Chamber of Secrets] cover needed alterations to its tail. Being on an editable layer, this was easier to do than if it had been hand-drawn.”

Less easy was a certain other magical creature.

“I really wanted to draw the dragon but [it] turned out being the hardest. I’ve drawn them before but usually in a more cartoony way. The Hungarian Horntail had to be more realistic.”

So what’s next for Duddle, after this rare opportunity? “A break!” And then back to working on his own things. As we spoke, he was due at a festival where he will be reading from one of his children’s’ books. “We’ll be camping and dressed as pirates.”

Finally we asked him which Hogwarts house he thought he would be sorted into. “I’ll go with Hufflepuff because it’s got a silly name and so have I!

You can follow Jonny’s work over on Facebook, Twitter, and his blog, where he hopes to be able to post a lengthy piece on developing the Potter covers (permission pending!) in the near future.

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  • Victoria91

    I LOVE the Deathly Hallows cover! He did a fantastic job with the whole series.

    • Sophie

      They’re great aren’t they! I really love them too. Really brings them to life.

  • Alive285

    Other than the fact that Harry looks the same age on every cover (and a little too feminine) I think the covers are pretty great. I still like the originals (U.S. versions), though, but I’m sure that’s just out of nostalgia.

    • Josh

      I know! He looks like he is only eleven on the Deathly Hallows. That is not a 17 year old kid there.

  • Angelya

    Really beautiful covers! If I didn’t already have copies I’d be going for these!

  • Stephen

    I’m sorry but whoever green-lit these covers needs to lose their job. What in the world were they thinking? Not only does Harry look like a Chinese girl in each one, but he doesn’t age AT ALL over the course of 7 years. When a 17 year guy looks like a 10 year old girl there’s a problem. Not to mention huge plot points are revealed in many of the covers whereas the original UK and US versions did a good job of illustrating key scenes without giving much away.

  • Jim Walton

    Terrible. Who is this Jonny Duddle bloke? He sounds like a member of the Weird Sisters………who could’ve been played in GOF film by John Lydon 😉

  • RavenclawPride8

    Okay, the covers are really well drawn. But they aren’t too creative. The thestrals have been on many covers.And so has the hungarian horntail. For the fourth book, maybe the mermaids or the maze, and for book 5, maybe grawp, or the hall of prophecies. I don’t have a problem with the sixth.

    • Claire Furner

      This is largely down to Bloomsbury and their creative team. Duddle was given a brief and had to work towards what they asked for. And lets be honest, who wouldn’t want to draw a dragon over mermaids or a maze!

  • RavenclawPride8

    Oh and the hallows. I like that one. He did a great job there. It’s just, the fourth and fith remind me too much of the new american covers.

  • HinkyPuff

    I love these. They’ll definitely make kids want to pick up the books after having mostly only known the films.

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